Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress
Work in Progress … Were working on gathering intel and masking the visual flaws.
unmasking the unseen
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Institute of Visual Communication
Basel School of Design
FHNW HGK
Bachelor Thesis 2017
Mentors:
Dr. Invar - Torre Hollaus
Fabian Kempter
Jiri Oplatek
Susanne Käser
Broadsheet Newspaper and Research Publication
Basel School of Design
FHNW HGK
Bachelor Thesis 2017
Mentors:
Dr. Invar - Torre Hollaus
Fabian Kempter
Jiri Oplatek
Susanne Käser
Broadsheet Newspaper and Research Publication
Unmasking the Unseen is a Visual Atlas Researching the relationship between public space, censorship and design.
After a short stay in Cairo, I noticed public space does not invite you to linger. This is underlined by strong anonymisation, constant monitoring and surveillance you encounter in the streets of the city. I noticed that public space doesn't allow for any means of intervention. Posters of cultural nature, places of assembly and meeting, or an exchange among the city's inhabitants no longer exist. The field of visual communication is limited to advertising and commercialism.
I lived between two worlds. The strong contrast between Cairo and Basel fascinated me greatly, but it could not be compared very easily. The challenge to convey this anxiety visually, is the essence of my project one could say.
I wanted to stimulate discussion with my photographs independently of good and bad, of beautiful and ugly or right and wrong. Rather then these simple moralities I wanted to ask how does this city affect me, what does it trigger within me? It was important for me to condition the viewer to be aware of his attitude towards the topic of "design in the public space".
https://unmaskingtheunseen.tumblr.com for a more detailed look into the Reasearch
After a short stay in Cairo, I noticed public space does not invite you to linger. This is underlined by strong anonymisation, constant monitoring and surveillance you encounter in the streets of the city. I noticed that public space doesn't allow for any means of intervention. Posters of cultural nature, places of assembly and meeting, or an exchange among the city's inhabitants no longer exist. The field of visual communication is limited to advertising and commercialism.
I lived between two worlds. The strong contrast between Cairo and Basel fascinated me greatly, but it could not be compared very easily. The challenge to convey this anxiety visually, is the essence of my project one could say.
I wanted to stimulate discussion with my photographs independently of good and bad, of beautiful and ugly or right and wrong. Rather then these simple moralities I wanted to ask how does this city affect me, what does it trigger within me? It was important for me to condition the viewer to be aware of his attitude towards the topic of "design in the public space".
https://unmaskingtheunseen.tumblr.com for a more detailed look into the Reasearch
wave · forms
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A collaboration with Joanna Selinger
Seminar : nature/date
Instructor: Ludwig Zeller
Data Visualisation
Video projection on a wooden canvas
May 2016
Seminar : nature/date
Instructor: Ludwig Zeller
Data Visualisation
Video projection on a wooden canvas
May 2016
During the seminar < nature/data > we started experimenting with different visualisation of natural phenomena. We were both extremely intrigued by explaining natural occurrences in unconventional ways and using sound felt logical to both of us because it could be seen as a natural data input or a way to visualise natural phenomena.
with the help of a software called “ Sonifyer ” we were able to produce audible frequencies from the seismographic data. Afterwards we inserted the different Tsunami soundtracks into a modified version of a processing script.
For our exhibition we broke out from our extremely clinical view of the data we were using, and decided to use our artistic liberties to create an experimental piece of music with the sounds that we had produced. This intern was added to our processing script and projected upon our sculpture. Our work could be experienced as a visual installation accompanied by our piece of music.
For a in depth look of the exhibition visit:
http://web.fhnw.ch/hgk/projekte/interaktion/
with the help of a software called “ Sonifyer ” we were able to produce audible frequencies from the seismographic data. Afterwards we inserted the different Tsunami soundtracks into a modified version of a processing script.
For our exhibition we broke out from our extremely clinical view of the data we were using, and decided to use our artistic liberties to create an experimental piece of music with the sounds that we had produced. This intern was added to our processing script and projected upon our sculpture. Our work could be experienced as a visual installation accompanied by our piece of music.
For a in depth look of the exhibition visit:
http://web.fhnw.ch/hgk/projekte/interaktion/
vita
| 2017 | la capsula - garage #51 Zürich |
| 2016 | nature / data - Basel School of Design |
| 2014 - 2017 | studying visual communication at the school of art and design in basel ( FHNW HGK Basel ) |
| 2014 | preparatory course exhibition - f + f school for art and design |
| 2013 - 2014 | preparatory course at the f + f school for art and design in zürich |
| * 01 01 1994 [ 29°57'17.2"N 31°15'58.3”E ] |